Did little walking, standing, and kneeling figure studies to get
the scale right for Boomlift. These are two inches or less and need to be a bit
smaller. Want to convey everything simply with a few tones and angles.
Played with color too. Practicing before I commit to the
canvas, on the 'measure twice, cut once' theory. I'll need to keep warm morning
light coming from the right. It's like a puzzle made of flesh and light and shade.
Adding leaves to Boomlift. Lots of them. Layer three of a projected five. Once that's done, the foremost branches will get explicit leaves with shadows.
I
miss having a small painting to turn to while I am working on large
scale pieces. Thinking about starting one, or doing some fast oil
sketches.
Back to Boomlift this morning. Painting along to my Pandora country mix.
Beginning
to build the trees limbs - it's like making lace. Also added texture to
the silk, placed the box on the top of the lift, and deepened the
values on the equipment by the curb.
Added detail to the trucks, and the pavement and shadows on the road.
If this painting was a child, it would be entering middle school.
An Atlanta native, I lived in northern California in the sixties, worked in front of the camera in Europe in the seventies, and earned my living as a writer for twenty plus years. As a contemporary realist painter, I'm fascinated by the skin of the world, the bounce and skitter of light on textures, and the push and pull of shadows on form. See my finished work on my website, www.virginiaparker.net and follow my works in progress here. I currently live 1.4 miles from the house I grew up in.